Philharmonia Orchestra | Southbank Centre

Back to Find Events

Find other events

Search by date:

Search by keyword:

Want to browse?

You can see all events or browse by a category

Extra Features

  • Check out our video page
  • Finding classical music is now even easier with our composer search

  • See all All events by date

Get Updates

Royal Festival Hall

Philharmonia Orchestra

Maazel and Trifonov

Thursday 13 December 2012

Lorin Maazel Daniil Trifonov

Part of this series

Book tickets now

Prices:
£40 £31 £25 £20 £15 £12 £9 Premium seats £48

Booking Fee:
£1.75 (Members £0.00)

Concessions:
50% off (limited availability)

13 December 2012, 7:30pm

What's this?

Occasionally Southbank Centre events or exhibitions have tickets available at reduced prices for a limited time. When this happens, special "promotion codes" are advertised, which can be used on our website to obtain reduced prices.

The best way to be informed about special offers is to subscribe to our emails, however please bear in mind that most of our events will not have special offers. If you are eligible for concessions, you may be able to obtain concessions-priced tickets which are available on all of our shows. Read more about concessions tickets

Igor Stravinsky: The Firebird, Suite (1919)
Sergey Prokofiev: Piano Concerto No.2
Interval
Sergey Rachmaninov: The Rock
Alexander Scriabin: Le poème de l'extase, Op.54

Philharmonia Orchestra
Lorin Maazel conductor
Daniil Trifonov piano

Maestro Maazel conducts an all-Russian programme. Stravinsky's The Firebird, Rachmaninov's The Rock, Scriabin's Poem of Ecstasy and Prokofiev's Second Piano Concerto with pianist Daniil Trifonov.

A barnstorming programme of Russian masterworks, forged from the burning embers of the Romantic period by four composers who for the most part couldn't stand the sight of each other.

Stravinsky's Firebird ballet takes Borodin's piquant orientalisms and Rimsky-Korsakov's exotic orchestration to the outer reaches, while Rachmaninov's The Rock feeds directly from the music of his most devoted admirer - Tchaikovsky. Scriabin appears to be sowing the seeds of his own musical destruction in the apocalyptic eruptions of his Poem of Ecstasy, while Prokofiev confirms his status as the 'bad boy' of Russian music with a pianistic whirlwind of super-heated virtuosity.

Royal Festival Hall