I may be a wage slave on Monday, but I am free man on Sunday

Drawing on performance and documentary, Kathleen Herbert’s film explores the idea of contemporary landscape as a politicised space which is treated as an object rather than a resource. It takes us on a journey from the urban to the rural and was inspired by a
‘mass trespass’ on private land in 1931 which heralded the opening up of the countryside, and the creation of the Peak District National Park.

Co-commissioned by the National Trust and Southbank Centre.

The film is shown daily from sundown.